Thursday, October 30, 2014


I started doing daily sketches half way through Inktober/Botober in October 2013. I was mainly doing Botober considering I only drew robots, Ha. I always draw in ink, so using pens for Inktober isn't much of a challenge. I can't remember the last time I used a pencil. It had to be back in school, so 10 years ago. 

I would have loved to have a consistent set of sketchbooks, but it was simply impossible. I love the small brown sketchbooks in the picture. Unfortunately, the manufacturer completely changed their paper quality at some point. It's now super smooth and has a fake texture. I'll never use them again, boo. 

I used a range of pens through out the past year. My stock pile of my "old" favorite Jimnie Light pens ran dry, but I moved on. I currently use Tul pens, which are completely different and unforgiving. Sharpies are also fun to use. I really like the range you get out of them as the die.

These are essentially the 1st and last batches of Squib sketches for now. I started with the 4x4 recap image, because that's how the Botober sketches worked out. I quickly changed to a 3x3 recap, because I thought over 2 weeks between recaps was way too long. It has bugged me this whole time, and you'll see why in the images below.

In addition to the daily sketches I tried doing some ink paintings on some scroll paper I bought on a trip while in China. I've never been a painter, and ink is even more unforgiving than paint. It's such a hard medium to control, even if I wanted them to look sloppy. Ugh.

I decided to participate in March of Robots to help support Dacosta's Kickstarter for his March of Robots book. These are the 31 sketches I did, but part of me wishes I hadn't. Only because I later realized I really wanted to reach 365 Squib sketches, and this ate into that total by 31 sketches.

After March of Robots I wanted to see a group shot of all my sketches so far. This is really a 4x4 square of the batches of 9 sketches. Of course the 1st batch of 16 Squibs throws off the perfect 12x12 square look, but I couldn't leave them out. I did leave out the 1st 16 robots though.

This is a 5x5 of the Squib batches of 9 sketches. I only wanted to include Squibs in this square, but it took a long time to be able to do it. You have to add 9 batches of 9 to increase from a 4x4 to a 5x5 square. That ends up being 81 sketches, or almost 3 months. Yikes. 

 I have this thing with numbers. I want them to line up, or work out, or make sense, or something. I didn't really plan out this year long challenge of daily sketches at all. I just wanted to be able to complete it. At some point that changed, like I mentioned. I passed 1 year, but I only had 316 Squibs. I didn't have the desire to do an additional 49 sketches. I kept sketching to reach 365 Squibs, but 365 wouldn't make a perfect square anyway. So I created this 18x18 square of my 324 Squib sketches. I arranged them chronologically from left to right, then top to bottom. It allowed me to rearrange that 1st batch of 16. It also satisfies my weird numbers thing, even if it leaves out the robots, ink paintings, and a couple at the end.

This year has flown by and it's great to be able to reminisce through these sketches. Some people wish I would have done some more variety, other just Squibs. Buuut, that wasn't what I wanted to do. I did want to start telling more about the Squib story, but that didn't really work out. It's tough when most of these sketches were done late at night, just before passing out. I do plan on starting a new weekly challenge in January with almost daily teasers. We'll see how that goes, Ha. 

Wednesday, July 30, 2014


I first talked to Frank Kozik about doing a new version of his Smash the State 10-Doh! figure last November at Dcon. This image shows how it changed over time. The middle image is the one I showed him for approval.

We agreed to do 50 figures total. It doesn't sound like a lot, but doing anything 50 times is very tedious. Especially when you have to do 50 different things 50 times. Unpacking and repacking is just one of several things that I didn't take into consideration when planning this project. Little things like that add up quick and take more time than expected.

I never made any large black 10-Doh! figures, so I had to paint all of them. I don't have a paint booth set up yet, so my back porch had to suffice. 

I originally tried doing a 3D printed mask, but you can see the results were fuzzy and problematic. Unfortunately, I still have to pay for that mask. It's all part of the trial and error that goes into each project.

Carlos East of The Beast Brothers was kind enough to help out by creating these masks for me. I picked out all the eyes, X's, and stubble, while he painted them all. He totally saved my butt on this one.

I thought a real pixelated cigarette would be a great accessory to match the label. I did this model in Rhino and I Photoshopped the colors in for the mockup.

 Mana Studios did the output, molding, and castings. I had to trim, mask, and paint all 50 cigarettes.

 I was originally planning on drilling a hole in the body and using the peg on the cigarette to secure it. Carlos recommended that I use magnets. It was great advice, but a lot more work. I ended up drilling all of the cigarettes and bodies, then gluing in the magnets. It wasn't easy, but the results were well worth it.

This shows the mockup next to the 1st finished sample, and I'm really happy with the results.

These debuted at SDCC 2014 and sold pretty well. It's not a cheap figure and hopefully this blog helps explain why. I have some that are signed by Frank, so order soon to get those ones.

Wednesday, July 9, 2014


One of the great things about having this blog is that I get to explain things a bit more than on the Kickstarter page. Of course, sometimes I should probably keep my mouth shut. Ha. So, sit back and read some info on why these pledge levels are the way the are. WARNING: The truth isn't always fun, exciting, or what you want to hear, but it's the truth.

I have a love hate relationship with Kickstarter. It's an amazing platform for raising money, but it's also a ton of work that starts way earlier and ends much later than the ulcer inducing month that most campaigns run. 

I personally like getting backer rewards that remind me of my contribution to a project. That's why I used the "Funded with Kickstarter" for the keychain. So, why's a keychain cost 15 bucks? Well, just like everything else that's ever been made, it costs money. These are die cast metal keychains that are made in the Los Angeles area. It takes time and money to digitally model, output, clean up, mold, cast in resin, remold, cast in metal, clean up again, attach keyring, package, and ship. That's a lot of step to get to a simple keychain, that is really meant to raise money for the Mega-Bit figures.

Why do a blank figure? Because this is an "officially licensed" project, I'm not allowed to do parody or artist labels. It's completely understandable that Sega wants to promote their classic games with their own classic art. Blank figures still give people the chance to create their own interpretations of classic games or create a brand new game label.

Why do a white one? There weren't any white Genesis cartridges, but the majority of DIY figures come in white. It's a good base color to start with for customizing, even though you should still primer it. It also gives you a chance to put white arms and legs on a black figure, or vice versa.

I wanted to offer a version that would fit in with the all the Mini 10-Doh! Kickstarter figures out there. Sega was nice enough to let me do this, even though it's not a classic game. Of course, I also had to change the Sega Genesis logo, but that's fine by me.

Why does this have "NOT FOR RESALE" on it? The Sonic game that came bundled with the Genesis console came with a "NOT FOR RESALE" sticker on it. I originally wanted to have this version and a retail version of Sonic available during the Kickstarter, but Sega thought it was too Sonic heavy, and I agree. The regular version of Sonic will be available at retail, and the "NOT FOR RESALE" will only be available during this Kickstarter campaign.

I only played the original Shinobi in the arcade, but that came out on the Sega Master System, so we had to go with the sequel. Still an awesome classic game.

 My personal favorite. My dad, brother, and I spent a ton of time playing this in arcades.

 My 2nd favorite game, but so tough. This game was a quarter thief in the arcade. 

These 25th Anniversary versions are VUM (Vacuum Metalized) figures, that means they are super shiny. It's an additional expensive process, but looks great. They'll also have metallic labels and will only be available during the Kickstarter campaign.
 To me, this is the "Flagship" version of Mega-Bit. We're creating this product to celebrate the 25th anniversary of the Sega Genesis. Most people will gravitate towards their favorite classic game, but this represents the project as a whole, to me. 

Like I mentioned before, I like things that remind me of my contribution to a Kickstarter. This guy is green solely because that is part of Kickstarter's color scheme. 

Why blue? Cuz, Sonic is blue. 

Why silver? Cuz the guy is in a white ninja outfit, and shiny white is silver.

Why Gold? Uuuuummmm? This one is pretty obvious, like Sonic.

Why Red? Well I thought the red could represent blood, or the fire that happens during the transformation scenes in the game.

Here's the best way to get all the classic black versions of Mega-Bit. You can also add any one of these to any other pledge level.

This is the cheapest way to get all of the 25th anniversary versions of Mega-Bit. You can add the XXV Mega-Bit to any pledge, but all of the others have a strict limit, so you have to pledge for them individually.

I'm huge Robocop fan, so I include an OCP level in a lot of my projects. This level is for people like me, that just want everything and not worry about missing out on something. 

Add-ons aren't straight forward on Kickstarter. You have to "Manage Your Pledge", increase your pledge amount to cover the additions, then list your add-ons when the survey is sent out. 

A lot of people don't understand why these figures are so expensive, so I thought I'd give a little insight on that subject. 

Just like the Keychains, these figures take a lot of time and money to make. I modeled the figures, paid for output, clean up, molding, and casting resin out of my own pocket. All of that time, money, and effort has to be spent before I can even launch the Kickstarter. 

Working with Sega has been a challenge. They are a huge corporation, and I'm one single person. They have their processes and procedures, I don't. After one failed attempt and a really long dead period, we were able to agree on the basic terms for the project. Meaning, I only get to make the figures if the Kickstarter is successful, and I don't have to pay the royalty until after it's been successfully funded. 

Unfortunately, that "dead period" ate away a big chunk of 2014 (the Genesis 25th Anniversary), so I had to empty my checking account to pay for the tooling to get started in China right away. I felt that was the only way to be able to get this project done in time. A huge risk on my part, but I have to look at this whole project as an opportunity and not a risk.

Some people wonder why the figures cost so much and why I need so much money to fund the project. The 30K goal will only pay for the tooling, the royalty, production, ocean freight shipping, and shipping rewards. It doesn't cover any of my time, effort, or the prototyping expenses. I also hope to reach some stretch goals to improve the figures even further. 

I've said enough for now, except Thank You to everyone that has already contributed. Thanks for supporting the project and please keep telling people about it.

Monday, July 7, 2014


This was our 6th time exhibiting at Anime Expo in Los Angeles Convention Center. AX was the 1st con we ever exhibited at. I'm not sure why we chose that one 1st, but we did and this year will be our last year.

It always takes place over 4th of July weekend, which is good and bad. Most people get a 4 day weekend, so that's more time for them to enjoy the con. Unfortunately, it also means we haven't had a nice 4th of July weekend in 6 years. We're already looking forward to relaxing next year.

One of the reasons for releasing Squibpool at AX was because red and black are the colors of AX. Unfortunately, my resin stuff is pretty pricey and most of the attendees don't understand why. 

 I finally launched my Mega-Bit Kickstarter campaign on setup day of AX. Doing both was hectic, but it was a good chance to show off the prototypes and explain the project to people. You can check it out here and hopefully back it. 

For years AX was one of our best shows, but last year it took a heavy dip and this year wasn't much better. It's sad to choose not to do a local show, but I think it's probably for the best. I'll definitely miss the friendly faces and long term supporters. Hopefully we'll still see most of you at Wondercon, SDCC, and Dcon. Maybe we'll return once I'm able to develop Squibs more. The crowd seems a bit young to really appreciate what I'm trying to do with So Analog. 

Monday, April 21, 2014


WonderCon 2014 is over and done with and these were the new products I debuted at the show. I don't like calling things exclusives when I know I'll be selling them elsewhere, if they don't sell out at the show. I'll be putting the remaining items up for sale soon.

I didn't really plan on doing so many new things for WonderCon this year, but I managed to get a lot done. I've been planning on doing a new banner for a couple of years and I finally got around to it.

I even managed to get a new postcard done. Tying to have a cohesive look for everything. Now I gotta update the website, yikes.

Setup went pretty good this year. Chito A-Word (aka @kwestone) even helped out a bit.

After every convention you can see a ton of these banners on the ground or still hanging at the booths. I've always kept mine and I've been drawing on them almost since the 1st show we did. I guess it's my version of a souvenir.

 I didn't get to walk around the show much. So, these were the highlights of the show for me and they happened right at my booth. The kind folks over at Autodesk gave me a free copy of SketchBook Pro 6, and I can't wait to try it out. It's awesome when a young kid spends his money on a toy based on a console that was long dead before he was even born. Then, to top it off, he gets an Ultra Rare figure. Woohoo! @danialfleres also had is buddy drop of some original art for a trade. So nice.

I wish I could say WonderCon was an amazing show, or even a great show for me. WonderCon is the type of show where the vast majority of people don't know I exist. They have no clue who I am, or that I am the guy making the stuff that I'm trying sell. Building awareness and getting more eyes on my stuff is a major reason for doing conventions. But, there is no way I'd be able to continue doing cons, if it wasn't for all of the repeat buyers and supporters that stop by my booth at every show I do. I might not know all of your names, but seeing those friendly and familiar faces make a rough show less rough. I can't thank you all enough.

Monday, April 14, 2014


I've been planning on doing these keychains for years, and I finally got around to it. Once again, I had Mana Studios do the output from my digital Rhino files. Due to the small size, I'm finally able to start making some of the other So Analog figures. Atar-1, Atar-2, and Atar-3 are all based on different Atari 2600 cartridges.

I also had them do a quick silicone mold, so I did't have to give the originals to the metal factory. Not necessary, but I like having options.

These are the resin figures next to the raw Pewter samples. I like having samples from all the stages of production, if possible.

This was my 1st metal project and they're all made in Los Angeles. It was great being able to see the molds and how the whole process is done.

We switched from Pewter to Zinc. It's a cheaper metal, but also lighter and much more durable. I definitely didn't want the rings breaking easily.

The 1st batch of keychains weighed over 14 pounds. 

Images that I posted on Instagram. The filter made it tough to tell the difference between the Matte finish and the Gloss finish.

I personally gravitate to the Matte finish, but I like the Gloss too.  I couldn't decide which finish to go with, so I split the quantities 50/50.

I needed some form of packaging that worked with all 6 designs, and this is what I came up with.

 I had to punch 2 holes and cut a line in-between them for every card back. It took a while, but bagging them also took way longer than expected. 

These will be debuting at my booth #1145 at WonderCon 2014 starting on Friday April 18-20 in Anaheim CA. They'll be 10 bucks each. I'll have a few complete sets of Gloss and Matte available. So, you can get all 6 designs for 50 bucks.